My work explores the fragile relationship between the individual and the systems that shape contemporary life — freedom and constraint, identity and anonymity, memory and forgetting, consumption and existence.

I am interested in the human condition as it is transformed by social, political and economic structures. My work questions how much agency we retain within systems that increasingly define us through consumption, productivity, data, rules and predefined identities. At the same time, I return to memory — particularly personal and collective traumatic memory — as a space where these structures leave their deepest traces.

The human figure is a recurring element in my practice. Simplified, fragmented, enclosed or suspended, it becomes less a portrait of an individual and more a symbol of a shared condition. I use painting, sculpture, installation, textile and mixed media, allowing the material itself to carry part of the meaning. Concrete, metal, wire, wood, fabric, paper and discarded everyday materials can become metaphors for confinement, vulnerability, resistance or transformation.

I am particularly interested in the tension between the fragile and the rigid, the intimate and the institutional, the individual and the collective. An ordinary object — a utility bill, a cage, a shirt collar, a rope, a chair — can become charged with psychological and social meaning when removed from its everyday context.

My installations often develop in relation to a specific space, its history and its social memory. I am interested in creating situations in which the viewer is not simply looking at an artwork, but enters a constructed environment where objects, materials and narratives begin to interact.

Ultimately, my practice is an investigation of what it means to exist as a human being within systems that are larger than ourselves — and of the fragile spaces where freedom, memory and imagination can still survive.